683
portfolio_page-template-default,single,single-portfolio_page,postid-683,theme-stockholm,stockholm-core-1.2.1,woocommerce-no-js,select-child-theme-ver-1.0.0,select-theme-ver-5.2.1,ajax_fade,page_not_loaded,wpb-js-composer js-comp-ver-6.1,vc_responsive

Aloft

Aloft, 2010
U.V. ink on aluminum, string
5 pieces: each 9′ x 2′ x 80′

temporary installation: San Antonio International Airport
permanent installation: Rackspace, San Antonio, TX

Panel text courtesy of Rackspace:

Allen has been working with kites since the early 1990’s. He has constructed hundreds of them, from tiny objects flown on a thread, to aluminum sails designed to fly underwater, to huge paper and bamboo kites that require several adults to manage. The installation at Rackspace, entitled ALOFT, incorporates five kite forms that are based on traditional Japanese kite designs. Extremely low-resolution images of the sky are printed on the aluminum surface of the kites. Allen explains the connection between the imagery and kites as follows:

Regardless of its size in the studio or on the ground, any kite will be eaten up by the enormity of the sky. It’s humbling to spend days or months working on a large piece and then send it aloft to watch it sink into the vastness of the sky. Kites are designed to recede in space – to travel away from the viewer. I am interested in playing with that change in viewing distance. Up close, the heavily pixilated imagery is an abstraction. Viewed from a distance the pixels resolve into a recognizable image.